SREvol's audio Reviews on Newgrounds

[The Waves of Life]

it's nice but simple

I think RNNR was reviewing a different song

DJ-NOSEBLEED responds:

Get the fuck out

[Dubsteppy]

subject

I will make you some metallic dub step =) my specialty atm

DJ-NOSEBLEED responds:

Just go away, why do you spend your time doing this?

[Mysterious, Jr.]

noooo

the guitarish lead was way toooo cheezy, you say you use frooty loops, you should have detuned 2 sined cereba saws and made it a growl bass instead to roll at C2. Slam the port and global on it and it would have sounded so much better

DJ-NOSEBLEED responds:

Frooty loops? lol

[Jazi]

Believe it or not

The man that invented that jungle break you used is a relative of mine, I love the break too. The unfortunate thing about it is it's hz range but you layered your snare well over it.

Good job

DJ-NOSEBLEED responds:

Again, go away.

[Lite (NB)]

Yeah

What the dude below me said. You reallllly realllly needed to stereo and channel swap on this bad boy. If it had swapping it would be insane and get a 9 and 5. But you left it untouched which makes me think you dont know how to do it. But I mean these leads are so well made and chained so well how could you possibly not know how to put in stereo effects and channel swapping, which makes me think are they your leads or did you sample them (I don't mean to insult you here)

I'm interested in you sending me your raw track and the audio files so I can see why you havent stereod and if they are your leads. Of course I wont be using any sounds or samples. (raw file means the file from the program you used ie: the fl save file if you used fl, or the acid save file etc etc, plus the plugin save files you used for making the leads if you made them)

CKEY

DJ-NOSEBLEED responds:

I haven't stereo'd the lead because.. dun dun.. I DON'T WANT TO.
Fucking idiots, I don't need to stereo pan everything. I dont know of anyone who does this. Stop giving bullshit reviews.
And yes. I made the leads. If I wanted to put in stereo automation I would have. I didn't want to, so i left them. They are not sampled.

Oh, and no. I will not hand out my .flp to some idiot who thinks everything in a song needs to be stereo swapped/automated. Fuck off.

Oh, and by the way, there is a good amount of stereo work in this track. The effects all are stereo'd as well as the arpy synth near the end.

[Far Away (NB)]

Nah I dunno...

Sounded better when you blended that annoying sound together, but I think it's a tad to slow and that intro loop sounds like a sound bite from some where I know I've heard it. The Arps and what not that came in after 1 minute ruined the song as they were a completely different feel and style. Not liking it but it shows potential definitely. Not minimalistic at all either. The main beat is nice and side chained perfectly good job on that. If you cut our your intro and just had the main beat it would get a nine.

I think you should use that blended sound as a lead in your next song

DJ-NOSEBLEED responds:

Go away.

[[a.] Broken Era -incomplete-]

summary

lift the drums up more and add growl

other wise its great

Rawrthaas responds:

thanks dude

[Voice Acting-Monologue Try]

summary

what is hte guy below me talking about it fits fine

[*Twilight Trigger* [IZK]]

Big problems

your frequencies are all over the place. And it messes everything up. Not hearing any layering either, the bassy lead drowns the entire song out, that needs to be softclipped or side chained. Drums and rides need to be side chained a lot. But I liked the drums, nice and hard.

[*Darkness Into Light* [IZK]]

it's ok

it's good for an amateur because of all the sample and fx clips but it'd be nice to see something of your own creation other than composition. The drums didn't really suit the strings / foreground because they were thin and metallic where'as the strings / foreground was warm and thick. Also the amen break isn't layered on a separate channel or hz freq as the strings and because they were both sampled (and most likely thrown through a wav or mp3 reader) they fought for the same frequency and cut each other out.

Try having your hats between 1 and 14 k hz, your snare at 200 - 400, your kick at 100 - 150 and sup from 50 - 100. That will give your drums perfect space, they wont clip with each other and they are the best frequencies for perfect oomph. It also leaves you 600 - 1000 hz of mid range leads and over 100,000 hz of high shelf leads (but you don't have any in this song).

Keep up the good work